Skip to main content

making faces :: quick change

i knew this would happen. as soon as i started a new job, i was certain that i was going to have to find a way to get myself to work, home from work and out to the caustic lounge in very short order, because there wouldn't be a lot of extra minutes, particularly since i also knew that i'd forget to organise everything for my set the first time.

and, lo, it came to pass. 

this isn't an uncommon problem, of course. we all have times when we want to quickly change from our daytime face to something appropriate for a night out. so when i got up in the morning, i forced myself to think of what to do to ensure that i could make the transition without relying on a magic phone booth. 

the idea for the daytime was to keep everything as minimal and neutral as possible [although, clearly, i was still planning on wearing makeup], so that it could be built-up later on without requiring a cleaning of the facial slate to start from scratch. 

to that end, i stuck to very soft, mostly matte colours that were close to the ones in my natural complexion, but that lent an overall brightness that made me look a little more awake than i normally would. i've listed what i used below, but honestly, you'd want to find something that was close to your own colouring. in my case, i picked a light, slightly peachy base colour and a mauve-taupe shade in my crease and along my lower lash line, in order to give some definition and accentuate the shape of my eyes a little. i went very light on the mascara [for me] and used a softer formula, so that it wouldn't clump up when i added to it later. [not having to remove and reapply mascara is probably the biggest key to saving time here]. 

i used a mac beauty powder on my cheeks, because i just love how the finish is nearly matte, but with a bit of a glow. i'm all in favour of products that make me look like i have a much healthier and more wholesome lifestyle than i really do. 

and for my lips, i donned nars' "mayflower", one of my go-to shades when i'm looking for that "my lips but better" kind of effect. it's interesting, because this shade is a bit warmer than my natural lip colour, which is a cool mauve-pink shade, so it tends to look more natural than when i wear no lipstick at all. 

now, to switch this into a good nighttime look, the idea was to keep most of the elements similar, with one striking difference. i darkened the outer corners of my eyes and applied a shimmery shade to the lids, so that there was a bit more drama going on, but i kept the shades very neutral. as i mentioned, i added a coat of a heavier, darker mascara and some black liner along my upper lash line. 

i kept the soft colour on my cheeks, but i did add a bit of tan-coloured blush to make my cheekbones stand out a little more. again, no huge changes, just augmenting the very simple look i already had going. 

the big change, of course, was in the lip colour. bolder, deeper, more noticeable lips go so well with neutrals and, of course, it takes no time at all to change this. but it gives the whole look a very different effect. i also used a very sparkly shade for this, so that unlike the daytime face, which was mostly matte and satin textures, there were lots of things that could catch the light in the evening. 

total switchover time was just over five minutes, leaving me those precious moments i needed to get some music together so that i could do a reasonable dj impersonation at the caustic lounge. [you can read about that here.]


anyway, here are the details on what i ended up doing...

the base ::
marcelle beauty balm "light/ medium"
lush colour supplement "jackie oates" [night only]
smashbox high definition liquid concealer "fair/ light"
marcelle pressed powder "translucent"

the daytime eyes ::
inglot e/s "352" [peach-cream]
mac e/s "velour"* [brown-mauve]
nars e/s "mekong" [espresso brown with gold shimmer- used along the upper lash line]
makeup forever concealer pencil "light" [used as a liner to brighten the eyes]
smashbox full exposure mascara

the daytime cheeks ::
mac beauty powder blush "her own devices"* [light natural pink]

the daytime lips ::
nars l/s "mayflower" [sheer warm pink]

and into the night...

the nighttime eyes ::

inglot e/s "352"
mac e/s "velour"
[those two were left untouched, i just added to them]
rouge bunny rouge e/s "angelic cockatiels" [shimmery amber-honey]
mac e/s "vainglorious"* [maroon-plum]
nars e/s "mekong"
mac e/s "dazzlelight" [shimmery neutral highlight]
mac powerpoint liner "black swan" [black with silver shimmer]
armani eyes to kill excess mascara

the nighttime cheeks ::
mac beauty powder "her own devices"*
mac blush ombre "springshine"* [neutral tan]

the nighttime lips ::
bobbi brown hi-shimmer lip gloss "black ruby" [sparkly metallic red]

*suggested alternates :: velour = mac quarry [greyer,but close]; her own devices = mac tenderling [pinker, more pigmented]; vainglorious = mac star violet [more purple]; springshine = benefit hoola

Comments

Popular posts from this blog

so hip it hurts

there aren't too many artists who stand out as being iconically canadian. it's too easy to mistake us for some other people, mostly americans, who are, let's be honest, pretty similar in a lot of ways. [this is the bit where i apologise for avril lavigne, justin bieber and drake.] the guess who/ bachman turner overdrive held sway over an earlier generation, and musicians and those who appreciate technical proficiency will speak of rush like they are gods, but last night the country said goodbye to perhaps the most canadian of canadian bands, the tragically hip.

for those of you not familiar with that name, the hip emerged in the mid-to-late eighties, among a slew of canadian bands [54-40, the northern pikes, the pursuit of happiness, the grapes of wrath] that balanced on the line between mainstream and alternative rock. all of them played accessible guitar-based music with none of the bombast of seventies dinosaurs, but equally with no hint of the drug-fueled anger that w…

shut up

general reaction seems to be that last night's vice presidential debate was close to a draw, with a slight edge going to mike pence [other than among cnn's panel of independent voters, who overwhelmingly chose tim kaine as the winner]. i feel that's an accurate assessment, although it's largely a question of personal preference. pence absolutely projected the stoic, unflappable, unwavering image that many americans [not just republicans, either] seem to like and equate with strength. for my part, i prefer someone who's a little more mercurial, someone who's able to gets excited about ideas and who's able to expand on them, not just repeat talking points.

so, from my point of view, both vice presidential candidates were pretty disappointing. i found that kaine had a fantastic command of facts and history- he knew pence's voting record better than pence knew his and possibly better than pence knew his own. his opening answers were so smoothly delivered i…

mental health mondays :: parabnormal?

for north america and parts of europe, halloween marked the apex of spooky events, where the veil between the worlds of the living and the dead was at its most diaphanous. but if you're a very traditional roman catholic, you'll know that the 31 of october is merely the beginning, and that the entire month that follows is dedicated to remembering and praying for the dead, specifically for those whose souls are trapped in purgatory. if you listen to dante, purgatory isn't especially pleasant. sure, there's the possibility that you'll end up working off your debt to celestial society, but until then, you get to endure things like having your goddamned eyes sewn shut with iron wire. [much like condo developments, it gets better the higher the floor you live on.]

however, the more common view of purgatory among catholics is that the souls relegated there can't do anything to help themselves, and are reliant on the prayers of their living relatives and loved ones to …